Third Factory/Notes to Poetry

art is autonomous

Attention Span 2011 | Mathew Timmons

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Stan Apps | The World as Phone Bill | Combo | 2010

Allison Carter | Sum Total | eohippus labs | 2011

Harold Abramowitz | Not Blessed | Les Figues | 2010

Amanda Ackerman | The Seasons Cemented | Hex | 2010

Steven Zultanski | Cop Kisser | BookThug | 2010

Matvei Yankelevich | The Nature Poetry of Matvei Yankelevich | Ugly Duckling | 2010

Mairéad Byrne | The Best Of (What’s Left Of) Heaven | Publishing Genius | 2010

Donato Mancini | Fact ‘N’ Value | Fillip | 2011

Gregory Betts | The Others Raisd in Me | Pedlar | 2009

Janice Lee | Kerotakis | Dog Horn | 2010

Brian Getnick & Zemula Barr, eds. | Native Strategies: So Funny It Hurts. The performance art journal of Los Angeles, No. 1 | Los Angeles Contemporary Exhibitions | Spring-Summer 2011

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Los Angeles based artist, writer, curator and critic Mathew Timmons‘ books include The New Poetics (Les Figues), Sound Noise (Little Red Leaves), CREDIT (Blanc Press) & Lip Service (Slack Buddha); and forthcoming projects include Lip Service / Sound Noise / Basic Hearing (Jaded Ibis Press), Where is it Written? (Imipolex Press), and After Darío (Phoneme Books).

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