Attention Span 2011 | Jeanine Webb
Joshua Clover | Fragment on the Machine | Handmade chapbook, 4 poems plus translations into French by Abigail Lang | 2011
“Gilded Age”’s throwdown aphorisms: “The best poetry will have contempt for its era but so will the worst” ; “it must align itself with work—meaning hatred/of work—it must desire/change so much it is accused of being in love/with annihilation.” Dante’s Francesca in the whirlwind of the Inferno’s 5th Canto illumed as the subject of circulation of capital, of love’s inability to fully remove us from this peregrination (Yeats, yes), where we are caught “sweet with longing” as “downwards to darkness/on extended credit” we fall, the industries of the empire abandoned massively still shining on the farther shore of the crisis—
Brian Ang | Paradise Now | grey book | 2011
Lenin horizontal, orgies on acid, free education Pavlovas, FLCL metabeer, bankrupt Chocobos anniliate the banks, and you know, cats. Receive +3 Intellect. Bitey. Ang,: “My poems disturb myself.” Perhaps an increasingly worthy aspiration.
Claude Closky | Les miens suivi de Biennales | Éditions Al Dante | 2009
Conceptual French poet uses celebrity names as raw material for sonnets in alexandrines, then juxtaposes them to poems formed in the same way from the names of artists from the Biennales. Surprising wit and pleasure quotient gained in reading them.
Uyen Hua | a/s/l | ingirumimusnocteetconsumimurigni | 2011
Age, sex, location. Melancholy, dendrital, funny-ass remix that understands our divided hearts, and keeps our constellations while avoiding mere glibdom (Lil Wayne approached like a pietà, heartfelt dreams involving Kevin Spacey, bombs in Kandahar mixed with tabloid hot or not sorrows). The “fee” one “pays to Mary J. Blige.” These are “songs about us.” “sometimes you just have to shrug/ put the record on repeat.” Dude, it’s so like that. Everyone I know is already imitating her, she’s that good. <3
Chris Nealon | Plummet | Edge | 2009
Dear Chris Nealon, I can read this book again and again. And have this year. You make my trips to the drugstore so much better because I think of your lines on “pure despair.” It’s a groove. “If you treat the day as a melody, is that a kind of friendliness? Or text – is genre friendly?” I’m happy to dance to this workable theory up in da club. “Future anterior, hey/I’m running a little late” The system (thankfully) is still breaking down.
Juliana Spahr & Stephanie Young | A Megaphone | ChainLinks | 2011
Welcome outpouring of shiny ludic incisiveness and awful fact. Rhizomatic tentacled global hybridity and voices of women on their poetry communities and projects. Expansive, best read in doses, to my mind. Feels productively circular. Includes Spahr’s and Young’s great essay from 2007, “Numbers Trouble,” the importance of which 2010’s VIDA study again affirmed, to our dismay and ongoing critique.
K. Lorraine Graham | Terminal Humming | Edge | 2009
Honeycombs of zircon bureaucracy and power beeswax in the passive servomechanisms and pentagons. “I was a very minor missionary, actually a heretic, but I toiled/wholeheartedly in the vineyards because it was funfunfun.” Ready to bloodlet (blow up) through lacrosse (soup and salad) and an axe (automatic shredder) and go with produce bounce (get potassium). “Schizoid and hermetic.” Incandescent anger illuminates a lot for the ALIVE. “Missing trains, feeling wild in empty transit gates.”; “Female/until further notice.”
Tu Fu, tr. David Hinton | The Selected Poems of Tu Fu | New Directions | 1989
For when the crows come in from far capitals and tumbleweeds skip over the wells. “Mountain yellows fall. Startled I call out to my son Are there northern winds?” We are facing snow. “There isn’t time for new dikes. Enlisting /Mu Wang’s turtles and crocodiles is impossible.” The moaning of painted horns, will it ever stop? “Let’s talk things over, little buds—open delicately, sparingly.”
Frank O’Hara | manuscript translation of Mallarmé’s Un coup de dés jamais n’abolira le hasard (A throw of the dice will never abolish chance) | unknown date
Wouldn’t you like to know! The text’s a continuous block with no forced carriage returns or lineation, though Mallarmé’s capitals are retained. It is my conviction that this intrapoet formal denial experiment produces a new kind of beauty all compact. Writing about it, when I can. It’s like two of the hot poets I love having sex in my mind because and well furthermore that’s what is IS.
Kevin Killian | Action Kylie | ingirumimusnocteetconsumimurigni | 2008
Glitter hymn and invocation to the “secret understanding” of fan and diva, touched by “cold, hard” tears. A “secret understanding” that is also like “E.M. Forster’s concept of homosexuality as a willed gift.” Also, more, you know, cats.
Sandra Simonds | Warsaw Bikini | Bloof | 2008
I read at least one half of this on the beach in Kona in a bikini. The semantics are aggregrated gloriously and constantly threaten to deforest themselves. Or hammerhead shark-attack themselves. Plathian and Beckettish in the most brainy and sinister sense: manic nursery rhymes and the social contaminations, water wasps, the awful Doctor Dura Mater undercarriage.
Jeanine Webb’s poems have appeared in many journals, most recently in ARMED CELL, with two poems forthcoming in Lana Turner. Her essay on celebrity and poetics will appear in Tripwire. She helps organize San Diego’s Agitprop reading series and edits the cartonera-style journal TACOCAT.
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