Third Factory/Notes to Poetry

art is autonomous

Attention Span 2012 | Amy Evans

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The first section is anthologies, letters and art/performance work. The second is single author poetry (collections and pamphlets).

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Peter Hughes, ed.| Sea Pie: A Shearsman Anthology of Oystercatcher Poetry | Shearsman | 2012

Harriet Tarlo, ed. | The Ground Aslant: An Anthology of Radical Landscape Poetry | Shearsman | 2011

Kenneth Rexroth and James Laughlin, ed. Lee Bartlett | Selected Letters | Norton | 1991

ifpthenq,  illustrated by Simon Taylor of Joy As Tiresome Vandalism | Top Trumps: 34 poet playing cards (“inspired by City Lights edition”) | August 2012 

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Robert Duncan | Poems 1952: for Jess [facsimile of a chapbook hand-made by Robert Duncan] | A shuffaloff / Eternal Network Joint (149 copies) | 2012

Robert Duncan, ed. Michael Boughn and Victor Coleman | The H.D. Book | California | 2011

Ana Cavic and Renee O’Drobinak | Myopic Violence: Poetry exchange/intervention between the Ladies of the Press | Pamphlet of faxed drawings and poetry created during lunch breaks at the office, contribution to Maintenant series event at the Rich Mix, Brick Lane, London | March 30, 2012

Richard Parker | The Traveller & The Defence of Heaven | Veer | May 2012

Jeff Hilson | In The Assarts | Veer | July 2010

H.D. | Notes on Thought and Vision & The Wise Sappho | City Lights | 2001

Lisa Robertson | On Physical Real Beginning and What Happens Next | above/ground press | April 2012

Michael McClure | Rain Mirror: New Poems | New Directions | 1999

Michael McClure | Plum Stones | O Books | 2002

Geraldine Monk | Lobe Scarps & Finials | Leafe | 2011

Luke Roberts | False Flags | Mountain | 2011

Marcus Slease | Godzenie | BlazeVOX | 2009

[Justin Katko], Megan Sword, Timpani Skullface | SUPERIOR CITY SONG | Critical Documents (100 copies) | February 2012

Michael Palmer | Thread | New Directions | 2011

Tim Atkins | Petrarch | Crater Press / Crater VI | August 2010

Kenneth Patchen | Selected Poems | New Directions | 1957

Denise Riley | Selected Poems | Reality Street | 2000

Gregory Woods | We Have the Melon | Carcanet, 1992 – and looking forward to reading: An Ordinary Dog | Carcanet | 2011

Timothy Thornton | Jocund Day | Mountain | 2011

Bill Griffiths | Durham & Other Sequences | West House | 2002

Sophie Mayer | Kiss Off | Oystercatcher | 2011

Tom Pickard | Hole in the Wall: New & Selected Poems | Flood | 2002

Tom Pickard | Ballad of Jamie Allan | Flood | 2007

George Oppen, ed. Michael Davidson | New Collected Poems | New Directions | 2002

Lisa Jarnot | Black Dog Songs | Flood | 2003

Ulli Freer | Recovery (Incomplete) | Rot Direkt | 2011

Sean Bonney | Happiness. Poems After Rimbaud | Unkant | 2011

Simon Perril | A Clutch of Odes | Oystercatcher | 2009

Carol Watts | When blue light falls 3 | Oystercatcher | 2012

John James | Cloud Breaking Sun | Oystercatcher | 2012

Tony Lopez | Works on Paper | Crate Press / Crater 15 | 2011

Edith Sitwell | “Some Notes on My Own Poetry” | in Collected Poems | Duckworth Overlook | 2006

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Amy Evans is the co-author of Viersome #01 (Veer, 2012) and the author of Collecting Shells (Oystercatcher, 2011). This year, her work appears in Women’s Studies Quarterly and the following forthcoming anthologies: Dear World & Everyone In It: New Poetry in the UK (Bloodaxe); Sea Pie (Shearsman); and In Place of Love and Country: Poetry at the Pound Conference (University of New Orleans Press). She is co-editor with Shamoon Zamir of The Unruly Garden: Robert Duncan and Eric Mottram, Letters & Essays (Peter Lang). She lives in London.

This is Amy Evans’s first contribution to Attention Span. Return to 2012 directory.

Written by Steve Evans

December 27, 2012 at 12:48 pm

Posted in Attention Span 2012, List Only

Tagged with , ,

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