Anselm Berrigan | Free Cell | City Lights | 2009
“I do take relentless / as a compliment. All this work / dealing with making it work.”
Allison Cobb | Green-Wood | Factory School | 2010
“But every age has its ghosts, a kind of rage. The language.” “The word ‘forest’ itself forms a fence.”
CA Conrad & Frank Sherlock | The City Real & Imagined | Factory School | 2010
“‘Of / course they talk about genocide. / They’re Polish.’ The show ends. / Everything burns. A new set / is built for tomorrow.”
Sarah Dowling | Security Posture | Snare | 2009
“Makes a movement of hand toward // clothing that intervenes / and conforms exactly.”
Rachel Blau DuPlessis | Pitch: Drafts 77 – 95 | Salt | 2010
“Reduplicate the awkwardness. // If given text in a dream, try extra hard to read it.”
Susan Howe | Poems Found in a Pioneer Museum | Coracle | 2009
“It was the only thing she had left / from the journey across.”
Chris McCreary | Undone: a fakebook | furniture | 2010
“You recover / from upside // down & demand a bigger / engine.”
Hoa Nguyen | Hecate Lochia | Hot Whiskey | 2009
“Up nursing then make tea / the word war is far”
Lisa Robertson | Lisa Robertson’s Magenta Soul Whip | Coach House | 2009
“And you are a rare modern painting in the grand salon / And you are a wall of earth.”
Kaia Sand | Remember to Wave | Tinfish | 2010
“Inexpert, I / investigate // Inexpert, I / walk, and walk.”
Kevin Varrone | g-point almanac: Passyunk Lost | Ugly Duckling | 2010
“she said she grew up // when dodos were ubiquitous, / when snyder avenue was rome”
Karen Weiser | To Light Out | Ugly Duckling | 2010
“the chapel of a bird’s body / is any body / breathing with ink”
More Pattie McCarthy here. Back to directory.
Third Factory/Notes to Poetry
Attention Span 2010 – Pattie McCarthy
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Anselm Berrigan | Free Cell | City Lights | 2009
“I do take relentless / as a compliment. All this work / dealing with making it work.”
Allison Cobb | Green-Wood | Factory School | 2010
“But every age has its ghosts, a kind of rage. The language.” “The word ‘forest’ itself forms a fence.”
CA Conrad & Frank Sherlock | The City Real & Imagined | Factory School | 2010
“‘Of / course they talk about genocide. / They’re Polish.’ The show ends. / Everything burns. A new set / is built for tomorrow.”
Sarah Dowling | Security Posture | Snare | 2009
“Makes a movement of hand toward // clothing that intervenes / and conforms exactly.”
Rachel Blau DuPlessis | Pitch: Drafts 77 – 95 | Salt | 2010
“Reduplicate the awkwardness. // If given text in a dream, try extra hard to read it.”
Susan Howe | Poems Found in a Pioneer Museum | Coracle | 2009
“It was the only thing she had left / from the journey across.”
Chris McCreary | Undone: a fakebook | furniture | 2010
“You recover / from upside // down & demand a bigger / engine.”
Hoa Nguyen | Hecate Lochia | Hot Whiskey | 2009
“Up nursing then make tea / the word war is far”
Lisa Robertson | Lisa Robertson’s Magenta Soul Whip | Coach House | 2009
“And you are a rare modern painting in the grand salon / And you are a wall of earth.”
Kaia Sand | Remember to Wave | Tinfish | 2010
“Inexpert, I / investigate // Inexpert, I / walk, and walk.”
Kevin Varrone | g-point almanac: Passyunk Lost | Ugly Duckling | 2010
“she said she grew up // when dodos were ubiquitous, / when snyder avenue was rome”
Karen Weiser | To Light Out | Ugly Duckling | 2010
“the chapel of a bird’s body / is any body / breathing with ink”
More Pattie McCarthy here. Back to directory.
Written by Steve Evans
September 27, 2010 at 10:21 am
Posted in Attention Span 2010, Commented List
Tagged with Allison Cobb, Anselm Berrigan, CA Conrad, Chris McCreary, Frank Sherlock, Hoa Nguyen, Kaia Sand, Karen Weiser, Kevin Varrone, Lisa Robertson, Rachel Blau DuPlessis, Sarah Dowling, Susan Howe