Third Factory/Notes to Poetry

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Posts Tagged ‘Julian T. Brolaski

Attention Span 2011 | Michael Scharf

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Bernadette Mayer | Studying Hunger Journals | Station Hill | 2011

Brian Kim Stefans | Bank of America Online Banking: A Critical Evaluation | Citoyen | 2010

Douglas Piccinnini | Crystal Hard-On | Minute | 2010

Douglas Piccinnini | Soft | The Cultural Society | 2010

 Josef Kaplan | Peace | Poem Trees + Squash | 2010

 Julian T. Brolaski | Gowanus atropolis | Ugly Duckling | 2011

 Lawrence Giffin | Sorties | Tea Party Republicans | 2011

 Susan Howe | That This | New Directions | 2011

 Tsering Wangmo Dhompa | My rice tastes like the lake | Apogee | 2011

 Uyen Hua | a\s\l | ingirumimusnocteetconsumimurigni | 2011

 Vahni Capildeo | Undraining Sea | Eggbox | 2009

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Michael Scharf is the author of For Kid Rock/Total Freedom. His collection of critical work, The Res Poetica, is forthcoming. He lives in New York, where he works in natural language processing, and in Shillong.

Scharf’s Attention Span for 2010, 2009200820072006200520042003. Back to 2011 directory.

Attention Span 2009 – Tim Peterson

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Filip Marinovich | Zero Readership | Ugly Duckling Presse | 2008

Paolo Javier | Megton Gasgan Krakooom | manuscript

Evelyn Reilly | Styrofoam | Roof Books | 2009

Sueyeun Juliette Lee | Mental Commitment Robots | Portable Press at Yo-Yo Labs | 2007

Andrew Levy | Memories of My Father | Self-published | 2008

Brenda Iijima | revv.you’ll—ution | Displaced Books | forthcoming 2009

Eileen Myles | The Importance of Being Iceland: Travel Essays in Art | Semiotext(e) | 2009

Charles Borkhuis | Disappearing Acts | manuscript

Julian T. Brolaski | Gowanus Atropolis | Ugly Duckling Presse | forthcoming 2010

Tenney Nathanson | Ghost Snow Falls Through the Void (Globalization) | manuscript

Charles Alexander | Pushing Water | manuscript

More Tim Peterson here.

Attention Span 2009 – Rodney Koeneke

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Kit Robinson | The Messianic Trees: Selected Poems 1976-2003 | Adventures in Poetry | 2009

“When I was a musician’s musician / I used to be a poet’s poet / then a black box” is the story of American poetry, postwar to next war to the one after that, rendered to clean Dolchese. ‘76 daps 2003: “Hey, poetry lovers! / It’s good to see you / here on the page.”

Julian T. Brolaski | A Buck in a Corridor | flynpyntar press | 2008

Saunter Gowanus with enough English in your pocket and it curls to its Middle like this, a new-gender’d Cockaigne “wher no bivalves gurgle at our kushing.”

Norma Cole | Where Shadows Will: Selected Poems 1988-2008 | City Lights | 2009

City Lights brought back to life via “the whole story of the light” set to music of “enormous rotating blades.” Poetry as algebra proving the theorem “that dictionary may be a companion to art but life/is the most sentimental thing there is.”

David Larsen | Names of the Lion | Atticus/Finch | 2009

Truth in advertising: all 500 hundred of Ibn Khalawayh’s names for the lion (“Whose Complaint Sets Others Moving,” “Whose Coat is the Color of Papyrus,” “He Who Looks for Trouble in the Night”) shined and seductively annotated “in the procedural spirit of recent avant-garde tradition.” “If Names of the Lion reads like an elegiac text, it is because we of the twenty-first century mourn the lion’s lost mastery over the earth.”

Barbara Guest | The Collected Poems of Barbara Guest | Wesleyan | 2008

Jupiter no longer so invisibly pulling so many of ‘09’s moons.

Douglas Oliver | Whisper ‘Louise’ | Reality Street | 2005

Louise Michel, “Red Virgin” of the Paris Commune, turned Revolution into paper-mâché and held sick horses in the street. Oliver makes her contradictions a piñata for his own life to fit into, the better to study the candy of our shared political dreams.

Stephanie Young | Picture Palace | ingirumimusnocteetconsumimurigni | 2008

Memoir goes to the movies and comes back as Parker Posey in a script by Yvonne Rainer. “That we could come of age inside another person’s coming of age story, or come to political consciousness inside another person’s coming to political consciousness story, haven’t people been doing that forever?”

Mel Nichols | Catalytic Exteriorization Phenomenon | Edge | 2009

Say it forty times fast and watch “little ships / of sensitive data” leave magic dimes behind everyone’s seats.

Michael Gizzi | New Depths of Deadpan | Burning Deck | 2009

Gizzi’s the Moses of tablets turned to sound, then dropped from the cliffs to hit ‘C’. This new Sinai’s pure Barbasol, all wobble and aloe and swing. When “blessings descend but no one knows how to redeem them,” then “grammar cracks eggs as best it can.”

Brandon Downing | bdown68’s Channel | YouTube | 2009

Disjunction soaked in the world’s B-movies and pulled out as syntax again. Jung never looked so harajuku, subtitles so lyrically green.

David Brazil & Sara Larsen, eds. | Try! Magazine | self-published | 2008-2009

Periplum to a party that would never have Pound as a member. Proof positive that toner and staples can make a Bay Area anywhere.

More Rodney Koeneke here.