Posts Tagged ‘Gina Myers’
Attention Span 2011 | Gina Myers
Kate Bernheimer | Horse, Flower, Bird | Coffee House | 2010
Suzanne Buffam | The Irrationalist | Canarium | 2010
Bruce Covey | Glass Is Really a Liquid | No Tell | 2010
Jennifer Denrow | California | Four Way | 2011
Matt Hart | Wolf Face | H_NGM_N BKS | 2011
Nathan Hauke | S E W N | horse less | 2011
Becca Klaver | LA Liminal | Kore | 2010
Joseph Lease | Testify | Coffee House | 2011
Patti Smith | Just Kids | Ecco | 2010
Laura Solomon | The Hermit | Ugly Duckling | 2011
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Gina Myers is the author of A Model Year (Coconut Books) and several chapbooks, including False Spring (forthcoming from Spooky Girlfriend). She lives in Atlanta, GA.
Myers’s Attention Span for 2009, 2008. Back to 2011 directory.
Attention Span 2009 – Gina Myers
Alan Bernheimer | Billionesque | The Figures | 1999
Adrienne Rich | A Human Eye: Essays on Art and Society, 1996 – 2008 | W.W. Norton | 2009
Frank Sherlock | Over Here | Factory School | 2009
d.a. levy | Suburban Monastery Death Poem | reprint by Bottom Dog Press/deep cleveland press | 2005
Jon Leon | Hit Wave | Kitchen Press | 2008
Becca Klaver | Inside a Red Corvette: A 90s Mixtape | Greying Ghost | 2009
Edmund Berrigan | Glad Stone Children | farfalla press | 2008
More Gina Myers here.
Featured Title – The Nancy Book by Joe Brainard
Joe Brainard | The Nancy Book | Siglio | 2008 | Goodreads | LibraryThing | 4 mentions in Attention Span 2008
A much-anticipated event, heightened even further for me by getting to see the exhibit at Colby College, Maine, at which many of these works were on display, earlier this summer. (K. Silem Mohammad)
“I have burned down the sky.” (C.E. Putnam)
Also mentioned by Richard Deming and Gina Myers,
Featured Title – The Savage Detectives by Roberto Bolaño
Roberto Bolaño, trans. Natasha Wimmer | The Savage Detectives | FSG | 2007 | Goodreads | LibraryThing | 5 mentions in Attention Span 2008
The tale of two wild poet boys in an On The Road Adventure… at least that’s how the book is characterized by reviewers. It seems to me to be more about the attempt to recover the mythology of poetry and the bohemian ethic of beauty, love, and self-indulgence … remember when we were racy, spontaneous, scandalous, drunk, oversexed, high on ambition, low on productivity? Not me, I came of age in the 90s. But I remember clearly thinking that literature ended with my generation—now that’s youth! Bolaño hits it on the head (sometimes…). In my reading, however, Natasha Wimmer is the true genius here—she’s clearly an amazing writer herself, and the book reads as if it was written in English. Quite a feat, given how raunchy most of the language is. (Kristin Prevallet)
I read it too, and it’s as good as they say. The best conventional novel about avant-gardism ever! (Stan Apps)
Mentioned by Gina Myers, Allyssa Wolf, and Michael Kelleher.
Attention Span 2011 | Robin F. Brox
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David Hadbawnik | Field Work: notes, songs, poems 1997-2010 | BlazeVOX | 2011
At times like being a voyeur behind the book’s eyes, sweet, honest, uncomfortable, surprising, moving between modes and geography and relationships, moving through time, a book to enjoy reading.
Italo Calvino, trans. Martin McLaughlin, Tim Parks, William Weaver | The Complete Cosmicomics | Penguin | 2002
Delightfully strange and oddly comforting, a yogic stretch for the imagination.
Tony Lopez | Only More So | Uno | 2011
As dense and challenging as ever, Lopez’s most recent work sustains itself longer, thick stripes of word culled from an intricate lace of sources, transmuted by a skilful, subtle hand.
JodiAnn Stevenson | The Procedure | March Street | 2006
The languages of legality and failed romance intermingle in this collection of hauntingly-worded pieces, heartstrings unraveling through divorce proceedings, bittersweet freedom of a particular failure.
Mark Rothko, ed. Miguel López-Remiro | Writings on Art | Yale | 2006
One of the most astonishing collections of critical statements about art I’ve ever encountered. “Address to Pratt Institute, 1958” is of particular note.
Audre Lorde | The Black Unicorn | Norton | 1978
It was time to reread Lorde: “I leave poems behind me / dropping them like dark seeds that / I will never harvest / that I will never mourn / if they are destroyed / they pay for a gift / I have not accepted.”—from “Touring”
D.H. Lawrence | The Plumed Serpent | Martin Secker | 1928
Perfectly brutal.
Gina Myers | A Model Year | Coconut | 2009
Compelling and without pretension, intelligent poems born from paying attention to one’s world and life.
Virginia Woolf | Mrs. Dalloway | Harcourt Brace | 1990
Energetic, human, as fresh as the flowers given Clarissa, time had come to revisit this text.
Herman Melville | Moby-Dick or The Whale | Penguin Classics | 1992
Gloriously tragic and often downright funny, it had been too long since I’d read what I most enjoy from Melville, better this fourth time through than I had dared hope!
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Robin F. Brox is the founder of Saucebox, a small feminist press & occasional performance series. Actor & technical director for Buffalo Poets Theater, recent work includes “When In Doubt, Cowboy Out,” from her process-derived poem A. Concoct Key Gush Run, available from Binge Press (2011), & Sure Thing, a full length collection of poems from BlazeVOX [books] (2011).
Back to 2011 directory.
Written by Steve Evans
September 28, 2011 at 10:06 am
Posted in Attention Span 2011, Commented List
Tagged with Audre Lorde, D.H. Lawrence, David Hadbawnik, Gina Myers, Herman Melville, Italo Calvino, JodiAnn Stevenson, Mark Rothko, Martin McLaughlin, Miguel López-Remiro, Robin F. Brox, Tim Parks, Tony Lopez, Virginia Woolf, William Weaver