Third Factory/Notes to Poetry

art is autonomous

Posts Tagged ‘Gennady Aygi

Attention Span – Michael Scharf

with 2 comments

Arun Kolatkar | Kala Ghoda Poems | Pras Prakashan | 2004

Two or three things he knows about the capital of Maharashtra.

Barbara Guest | The Collected Poems of Barbara Guest | Wesleyan | 2008

Esp. the hilarious The Countess from Minneapolis and the they-get-better-ever-year Rocks on a Platter and Miniatures.

Brandon Downing | Dark Brandon: Eternal Classics | Grievous Pictures | 2007

Isolates the individual compulsion, or drive, toward forming and maintaining identities from the inherited concepts and media through which one is forced to do it. Separates out the focal power that images draw from their original contexts, and, at 10x and 100x, sets fire to the frog, freeing princess from the chrysalis. Visual intelligence that makes gallery work (like, say, Isaac Julien’s WESTERN UNION: Small Boats) look at once commercial and provincial. A kiss like that.

C.S. Giscombe | Prairie Style | Dalkey Archive | 2008

The phenomenology of driving during adult life.

Gennady Aygi, trans. by Peter France | Field – Russia | New Directions | 2007

Tarkovsky and Sokurov track the same maternal grasses. Stripped down to the wind.

George Oppen, ed. Stephen Cope | Selected Prose, Daybooks, and Papers | California | 2008

“But taking as a whole the phase of the world’s history which we have reached, it has become a commonplace remark to say that we have crossed the threshold of the Apocalypse.”

Kevin Davies | The Golden Age of Paraphernalia | Edge | 2008

Lovers of late JA meanderings through pre-code detritus who look to counter other lovers’ complaints about cut & pasteability will find, here, that reading each section ‘in order’, or continuously across the breaks and gaps, makes the book lose part of its meaning. The obsessive superfineries of the arrangement, shorn against undoing, and the intricate intactness of “Lateral Argument” underscore the point perfectly: within a supersaturate, none of the pieces fit. The author also wishes to inform you that Stephane was wrong about the book/bombe; the blank page 68 is a comment on the French.

Kynpham Sing Nongkynrih and Robin S Ngangom, eds. | Anthology of Contemporary Poetry from the Northeast | NEHU | 2003

Revised edition due shortly from Penguin. Until then, greetings from Shillong.

Miles Champion | Eventually | The Rest | 2008

Read “Colour in Huysmans” slowly, with the right column as a kind of gloss on or completion of the left, and then see how inadequate that is.

Peter Culley | The Age of Briggs & Stratton | New Star | 2008

Plowing on Sunday. Plowing North America.

Vivek Narayanan | Mr. Subramanian | unpublished ms. | 2008

Stephen Dedalus, in Madras at 35.

Attention Span – G.C. Waldrep

with 2 comments

I read dozens of poetry books, dozens of journals every year. The list that follows isn’t necessarily a list of recent books I “liked best,” but it is a list of the books I dreamed about, after.

Alice Notley | In the Pines | Penguin | 2007

Gennady Aygi, trans. Peter France | Field-Russia | New Directions | 2007

Gabriel Gudding | Rhode Island Notebook | Dalkey | 2007

Bin Ramke | Tendril | Omnidawn | 2007

Zachary Schomburg | The Man Suit | Black Ocean | 2007

Rosmarie Waldrop | Curves to the Apple | New Directions | 2006

Michael Burkard | Envelope of Night | Nightboat | 2008

George Oppen | Selected Prose, Daybooks, and Papers | California | 2007

Catherine Corman, ed. | Joseph Cornell’s Dreams | Exact Change | 2007

Daniil Kharms, trans. Matvei Yankelevich | Today I Wrote Nothing | Overlook | 2007

Joseph Lease | Broken World | Coffee House | 2007

Some others: Anne Boyer, The Romance of Happy Workers; Fanny Howe, The Lyrics; Johannes Goransson, A New Quarantine Will Take My Place; Cecily Parks, Field Folly Snow; Rusty Morrison, The Truth Keeps Calm Biding Its Story; Kristi Maxwell, Realm 64; Fredrik Nyberg, A Different Practice; Craig Morgan Teicher, Brenda Is in the Room; David Mutschlecner, Sign; Priscilla Sneff, O Woolly City; Tony Tost, Complex Sleep; Donald Revell, Thief of Strings; Noah Eli Gordon, A Fiddle Pulled from the Throat of a Sparrow; C.S. Carrier, “Lyric”; Julie Doxsee, “Fog Quartets”; Jack Boettcher, “The Surveyic Hero”; etc.