Posts Tagged ‘Amina Cain’
Attention Span 2011 | Eric Baus
Amina Cain | I Go To Some Hollow | Les Figues | 2009
Andrea Rexilius | To Be Human Is To Be A Conversation | Rescue | 2011
Catherine Wagner | My New Job | Fence | 2009
Cedar Sigo | Stranger In Town | City Lights | 2010
Farid Matuk | This Isa Nice Neighborhood | Letter Machine | 2010
HR Hegnauer | Sir | Portable Press At Yo-Yo Labs | 2011
Marina Temkina | What Do You Want? | Ugly Duckling | 2009
Mathias Svalina | I Am A Very Productive Entrepeneur | Mud Luscious | 2011
Renee Gladman | Event Factory | Dorothy | 2010
Tim Dlugos | A Fast Life: Collected Poems of Tim Dlugos | Nightboat | 2011
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More Eric Baus here.
Baus’s Attention Span for 2010. Back to 2011 directory.
Attention Span 2010 – James Wagner
Tan Lin | Heath (Plagiarism/Outsource) | Zasterle | 2009
Tan Lin | Seven Controlled Vocabularies and Obituary 2004. The Joy of Cooking [AIRPORT NOVEL MUSICAL POEM PAINTING FILM PHOTO HALLUCINATION LANDSCAPE] | Wesleyan | 2010
My review of Seven here.
Vanessa Place | The Guilt Project | Other | 2010
Vanessa Place | Tragodía 1: Statement of Facts | Blanc | 2010
Vanessa Place | Pussy Codes | Ubu Editions | forthcoming 2010
My interversation with Vanessa here.
Robert Walser | The Microscripts | New Directions | 2010
Anne Boyer | The Two-Thousands, a history of the future in advance of itself | Scribd | 2010
My review here.
Amina Cain | I Go To Some Hollow | Les Figues | 2009
My review here.
K. Silem Mohammad | Sonnagrams 1-20 | Slack Buddha | 2009
My review here.
Steve Timm | Un storia | BlazeVOX | forthcoming 2010
My blurb here.
More James Wagner here. His Attention Span for 2009, 2008, 2007, 2006, 2005, 2004. Back to directory.
Attention Span 2011 | Amina Cain
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Bhanu Kapil | (a poem-essay, or precursor: NOTES: for a novel: Ban en Banlieues) | Belladonna* | 2011
Because lying in the street for a long time is beautiful and necessary and also violent.
Matthew Goulish | 39 Microlectures | Routledge | 2000
“Do whatever you need to with this book, and, if possible, do not let it damage your thoughts.”
Pamela Lu | Pamela: A Novel | Atelos | 1998
It took me a long time to get to this, and now I need to get to the next one, but I loved its intimacy and searching.
Octavia Butler | Kindred | Doubleday | 1979
This novel is amazing in its movement through time and in its narrative voice, which is crystalline.
Amanda Ackerman | The Seasons Cemented | Hex Presse | 2010
Like paying attention to a single line in a highly ornamental design, and then the next one, and then the next. Empty space is there too.
Violette Leduc, trans. Derek Coltman | The Lady and the Little Fox Fur | Peter Owen | 1967
There is pleasure in this short novel, for a character and for a reader, even when it seems as if a word like ‘pleasure’ should have gone missing.
Ronaldo Wilson | Poems of the Black Object | Futurepoem | 2009
Dreaming until it takes shape. And then achingly clear.
Marguerite Duras, trans. Eileen Ellenbogen | The Vice-Consul | Pantheon | 1968
A “sequel” of sorts to The Ravishing of Lol Stein, there’s a humor in this novel I haven’t found in other works by Duras.
Renee Gladman | TOAF | Atelos | 2008
The kind of book that makes one want to write; I would follow this narrative voice wherever it took me.
Danielle Dutton | Sprawl | Siglio | 2010
The accumulations become more and more addicting and so do the shining singularities.
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Amina Cain is the author of I Go To Some Hollow (Les Figues, 2009). She lives in Los Angeles.
Back to 2011 directory.
Written by Steve Evans
October 11, 2011 at 11:33 am
Posted in Attention Span 2010, Commented List
Tagged with Amanda Ackerman, Amina Cain, Bhanu Kapil, Danielle Dutton, Eileen Ellenbogen, Marguerite Duras, Matthew Goulish, Octavia Butler, Pamela Lu, Renee Gladman, Ronald Wilson, Violette Leduc