Attention Span 2012 | Lauren Levin
Michelle Alexander | The New Jim Crow | New Press | 2010
Ruth Gilmore | Golden Gulag | California | 2007
Jonathan Simon | Governing Through Crime | Oxford | 2007
Three powerful lenses on the prison-industrial complex. Prisons, policing, and surveillance as the racist legacy of Jim Crow laws, re-tooled for a supposedly colorblind age. Prisons as California political economy, warping the landscape. And finally, the rhetoric of “crime” as neoliberal governing paradigm, with the victim enthroned as paradigmatic figure in a culture of fear. I want to read these three again in 2013.
Lauren Berlant | Cruel Optimism | Duke | 2011
Lauren Berlant | Supervalent Thought | Ongoing
“A relation of cruel optimism exists when something you desire is actually an obstacle to your flourishing.” Cruel Optimism is the best kind of political education: patient and compassionate; rigorous and unflinching. I might love Lauren Berlant’s blog Supervalent Thought even more. If only because, like optimism and history, Supervalent Thought is still being written.
Corina Copp | Pro Magenta/Be Met | Ugly Duckling | 2011
Jacqueline Waters | One Sleeps the Other Doesn’t | Ugly Duckling | 2011
These two genius books arrive, arrows from the depths of the mystery of poetry, and I’m slain. PS – One Sleeps the Other Doesn’t showcases the best Punxsutawney Phil poem ever written in the history of humanity.
Samuel R. Delany | Times Square Red, Times Square Blue | NYU | 1999
Martha Rosler | Culture Class: Art, Creativity, Urbanism | e-flux | 2011
Samuel R. Delany’s classic on urban space, on contact vs. networking, on public sex as opportunity for cross-class communication, on gentrification. Plus, Martha Rosler’s three recent e-flux essays on the “creative class” and the transnational city as depoliticized pleasure dome. Read together, these two projects were an endlessly provocative utopia / dystopia—troubling the right to the city.
Lara Durback | Projectiles | NoNo | 2012
Sara Larsen | All Revolutions Will Be Fabulous | Ypolita | Forthcoming, 2012
Alli Warren | Personal Poem | City Lights | Forthcoming, 2013
This has been quite a year. Often events outpaced poetry. But, I heard Sara Larsen say “Hunger is free.” Alli Warren said “Lust before dishonor.” And Lara Durback told me, “I didn’t hold any of my own possessions. First I just didn’t have them. Later I rejected property.” Readings by these three scrambled my atoms when I needed it.
Samantha Giles | Deadfalls and Snares | Futurepoem | Forthcoming, 2012
Tender, pained, at times brutal work on (among other issues of empire) the Abu Ghraib tortures. This book re-sees, from many angles, the suffering muted by discourse and mediation. It’s tied, for me, to my first experience of it, at a reading organized by kathryn l. pringle. I wish I could hear all books of poetry read aloud and then talk about them with a group of thoughtful friends and strangers.
Brenda Iijima | Untimely Death Is Driven Beyond the Horizon | Unpublished MS
Antigone enters. Pesticides, eco-cide. a guiding conversation with Leslie Scalapino and the beloved dead. The drone poem and the brain-body of the dancer. This dense, velvety and deeply charged writing is a timely call and warning: also a furnace of the imagination. It “plunges the brain into darkness where it doesn’t fester.”
Killer Mike | R.A.P. Music | Williams Street Records | 2012
Reagan is a tendency. And this Killer Mike album is a testament.
Jared Stanley | The Weeds | Salt | 2012
Poems, like the tenacious weeds themselves, insist on the animist “intelligence of a disturbed earth.” Pathos, cynicism, and wit: or, “What is it you do with your skin / fuckorama worldly knives?”
Dan Thomas-Glass | The Great American Beat-Jack Volume 1 | Perfect Lovers | 2012
This exquisite object has to be held to be believed, and has to be spiraled to be read. And then there’s the poetry. I love Dan Thomas-Glass’s music, his honesty, and his tireless explorations of community, memory, gender roles, and the future—embodied in his daughters Sonia and Alma, and in political hope.
Lauren Levin is from New Orleans and lives in Oakland. She wrote Working (Portable Press at Yo-Yo Labs), Song (The Physiocrats), Keenan (Lame House Press) and Not Time (Boxwood Editions). Recent work appears or will appear in OMG, The Death and Life of Great American Cities, Rethinking Marxism, 1913, and Catch-Up, and critical essays on Anne Boyer & Stephanie Young, and Brent Cunningham, are in Lana Turner Online. She co-edits the Poetic Labor Project blog and the journal Mrs. Maybe.
This is Lauren Levin’s first contribution to Attention Span. Return to 2012 directory.