Attention Span 2012 | Liz Kotz
Lutz Bacher | Do You Love Me? | Primary Information | 2012
The new book project by Lutz Bacher, the influential California-based artist whose work—with language, image, sound, video, and pretty much everything else—has percolated out into the world over the past four decades. The book is made of transcripts of conversations in which the artist interviews friends and colleagues about their impressions of her, intercut with family pix, artworks and other ephemera. The results are moving, maddening, and mostly evasive. A post-it from a friend observes, “I often see the world as a found photograph by you.”
CA Conrad | A Beautiful Marsupial Afternoon: New (Soma)tics | Wave | 2012
Another wild ride of a book: 27 “soma(tic) poetry exercises” to let the grit of life into writing, and the resulting poems, plus an interview, notes from a couple workshops, and suggestions for reading. It’s a manual for living with awareness and imagination.
Richard Hertz | Jack Goldstein and the Cal Arts Mafia | Minneola | 2011
I found myself re-reading this one after seeing the recent Goldstein retrospective. A quasi-biography of the late artist constructed from reflections by friends and colleagues—John Baldessari, Troy Brauntuch, Meg Cranston, Robert Longo, James Welling, et al—as well as Goldstein himself, it’s a classic fractured narrative. We follow Jack from Chouinard to Cal Arts and the booming New York artworld of the 1980s, and learn more than we might want about romances, rivalries and betrayals as his career builds and then unravels. Profoundly sad and revealing, it’s a great antidote to the usual mythologization of the “Pictures generation” and the Metro Pictures scene.
Branden Joseph | Beyond the Dream Syndicate: Tony Conrad and the Arts After Cage | Zone | 2011
One of the hits of recent art history, Beyond the Dream Syndicate theorizes the emergence of interdisciplinary artmaking in the 1960s through the work and life of the experimental filmmaker and musician Tony Conrad. Densely researched, with forays into projects by key surrounding figures—Walter De Maria, Henry Flynt, Jack Smith, and La Monte Young, among others—it offers what Joseph terms a “minor history” of our recent past.
Kevin Killian | Selected Amazon Reviews, Part II | Push | 2011
Kevin Killian reads more than anyone I know, with a range and depth that confounds me. He also writes Amazon reviews, 2430 at last count. This second small volume of “selected” reviews—of poetry, critical theory, biography and how-to books, DVDs, jewelry, household items and Ibuprofen—reveals Killian as the connoisseur of everyday life, the bard of our moment. Like CA Conrad, he understands that anything can be an occasion for writing. At a time when everyone is translating informal online writing—blogs, facebook posts, discussion boards, you name it—into book form, Killian’s devotion to the humble “amazon review” feels right.
André Leroi-Gourhan | Gesture and Speech | MIT / October | 1993
The grand theoretical treatise of the late French anthropologist, paleontologist and scholar of prehistoric art, Gesture and Speech understands language as fully imbricated with human physiology, sociality and technology. Leroi-Gourhan moves from the basic physical organization that makes us human—frontal orientation, “tools for the hand, language for the face”—to explore the roots of markmaking and what Derrida later terms “primary graphism.” Originally published in the 1940s, it underlies key currents of 1960s poststructuralism—it’s hard to imagine Of Grammatology or the “body without organs” without its lead. Although long out of print, you can find a PDF online.
Eileen Myles | Snowflake / different streets | Wave | 2012
Two books in one, depending on which side you open. One skips across the weird placelessness of Southern California and endless hours on the freeway, with quick jotted efforts (some transcriptions while driving) to grasp the feelings that constantly slip by. The other returns home to a familiar but now different world and self, in Myles’ characteristically slim spacious lines.
Chris Kraus | The Summer of Hate | Semiotext(e)/Native Agents | 2012
How could you lose with that title? A novel, I suppose, about an LA-based writer escaping town to Albuquerque and the recently sober ex con she falls in with, The Summer of Hate is also the story of our fucked-up present, our appalling prison and legal systems, and various other catastrophes. Through a romance played out over car trips and court dates, it holds out hope for redemption.
Yvonne Rainer | Poems | Badlands Unlimited | 2011
A slim book of poems by the acclaimed choreographer, filmmaker and writer, mostly written since the late 1990s. Language has always been one of Rainer’s primary mediums, and here she plays with it in spare and deceptively simple forms that look backward from a life lived well and still going forward.
Mark So | recent scores | Mark So / uploaddownloadperform | 2006-2012
For the last few years, the composer Mark So has written text-based scores—hundreds of them—that wander between music, poetry, drawing and various less formalized ways of moving through the world. Some are typed in unique copies, others handwritten on staff paper, and others use printed sheets of text and overlaid transparencies. One of my favorites is “To avoid possible boredom and the stain …” (2011), which scatters letters and punctuation marks drawn from the Ashbery poem “Rivers” across the page of five transparencies, which one places on top of the title page to generate an ever-changing process of reading and looking. It is great to see someone breaking new ground. Available online here.
La Monte Young, ed. | An Anthology of Chance Operations … | La Monte Young and Jackson Mac Low | 1963
I’m always surprised that not everyone knows this book. Consisting of scores and texts that the minimalist composer La Monte Young collected in 1960-1961 from a bunch of then-young and emerging composers, sculptors, dancers and poets—George Brecht, Walter De Maria, Henry Flynt, Simone Forti, Jackson Mac Low, Robert Morris, Dieter Roth, Emmett Williams, et al—and designed by Fluxus founder George Maciunas, it crystalized emerging forms of artistic interdisciplinarity and continues to be a strange and inspiring object. Long out of print, it is available as a PDF on ubuweb.
Liz Kotz is the author of Words to Be Looked At: Language in Sixties Art and the co-editor, with Eileen Myles, of The New Fuck You. She teaches art history at UC Riverside and writes on contemporary art. She is working on two book projects—a collection of interviews with LA-based artists and an examination of La Monte Young’s collection An Anthology of Chance Operations—as well as an essay on Bernadette Mayer’s exhibition and book Memory (1972/1976).
This is Liz Kotz’s first contribution to Attention Span. Return to 2012 directory.