Attention Span 2012 | Paul Stephens

Takahiro Kurashima | Poemotion | Lars Müller | 2012

Craig Dworkin, Simon Morris and Nick Thurston | Do or DIY | Information as Material | 2012

René Daumal, trans. Thomas Vosteen | Pataphysical Essays | Wakefield | 2012

Mieke Gerritzen et al., eds. | I Read Where I Am: Exploring New Information Cultures |  Graphic Design Museum (Amsterdam) | 2011

Julieta Aranda, Anton Vidokle and Brian Kuan Wood | Are You Working Too Much? Post-Fordism, Precarity and the Labor of Art | Sternberg | 2011

Richard Kostelanetz, ed. | Essaying Essays: Alternative Forms of Composition | Out of London (1975) | AC Institute | 2012

Natalie Czech | Je n’ai rien à dire. Seulement à montrer. Ich hab nichts zu sagen. Nur zu zeigen. I Have Nothing to Say. Only to Show. | Spector | 2012

Jen Bervin and Marta Werner | The Gorgeous Nothings: Emily Dickinson’s Envelope Poems | Granary | 2012

Various Eds. | [Selected Print Journals:] Fillip, Petunia, CLOG, ment, Bulletins of the Serving Library | Various Publishers | Ongoing

§

Paul Stephens’ recent critical essays have appeared in Social Text, Arizona Quarterly, Postmodern Culture, Digital Humanities Quarterly and Paideuma; he has articles forthcoming in Twentieth-Century Literature and Contemporary Literature. He is co-editor of the journal Convolution, and has just completed a book manuscript titled “The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing.” He teaches in the English department at Columbia University.

Paul Stephens’s contributions to Attention Span for 2011, 2010. Return to 2012 directory.