Third Factory/Notes to Poetry

art is autonomous

Attention Span 2009 – Meredith Quartermain

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Thomas Bernhard | Frost | Vintage | 2008

Translated by Michael Hofmann, this novel, which involves a despairing artist in a gloomy Austrian town, contains some of the most poetic, painterly prose I’ve come across.

Aaron Peck | The Bewilderments of Bernhard Willis | Pedlar | 2008

Pure poetry, even though it’s called a novel.

Lisa Roberston | Lisa Robertson’s Magenta Soul Whip | Coach House | 2009

Who would not want to be whipped by such a magenta soul?

Margaret Christakos | What Stirs | Coach House | 2008

Christakos’s poetry is one of those best kept secrets I want to tell everyone.

George Stanley | Vancouver: A Poem | New Star | 2008

Stanley’s response to Paterson and Maximus—he never lets you forget how city thoughts are made.

Daphne Marlatt | The Given | McClelland & Stewart | 2008

This is the third novel/poem in Marlatt’s trilogy that began with the groundbreaking Ana Historic. It won the BC Book Award for poetry.

Louis Cabri | —that can’t | Nomados | 2009

Cabri is extremely inventive at recombining clichés, advertising slogans, corporate capitalist blague and popular sentiment so that they deconstruct each other with great humour and irony.

Michael Boughn | Dislocations in Crystal | Coach House | 2003

I read Boughn for, among other things, his syntax.

Michael Boughn | 22 Skidoo | BookThug | 2009

Boughn is to sentence as Miles Davis is to trumpet.

Peter Culley | The Age of Briggs and Stratton | New Star | 2008

One of the subtlest, drollest poets in Canada.

Myung Mi Kim | Commons | U of California | 2002

A very political book without being polemic, which explodes language away from its comfortable links to things and shows how violent it can be.

More Meredith Quartermain here.

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  1. […] Meredith Quartermain here. Quartermain’s Attention Span for 2009, 2008, 2007, 2006, 2005, 2004. Back to […]


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